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Cardiovascular Disease and Diabetes
The heart does not need a brain, or a body for that matter, to keep beating. The heart has its own electrical system that causes it to beat and pump blood. Because of this, the heart can continue to beat for a short time after brain death , or after being removed from the body. The heart will keep beating as long as it has oxygen. Your heart is a busy organ. The human heart beats about , times a day, which adds up to about 3 billion beats over an average lifetime.
The blood that your heart pumps could travel about 60, miles through blood vessels.
That's the distance your blood vessels would cover if laid out, end to end. Although heart disease is often stereotyped as a condition that afflicts men, slightly more women than men in the U.police-risk-management.com/order/map18.php
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For example, in , heart disease was responsible for , deaths in U. A person's heart rate , or the number of times the heart beats per minute, depends on many factors, including age, fitness level, body size and medication. Resting heart rate for adults is typically between 60 and beats per minute. Blood pressure is not a single measurement, but two: systolic pressure, or the pressure when the heart beats, and diastolic pressure, or the pressure when the heart rests between beats. It is typically written as systolic pressure top number over diastolic pressure bottom number.
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He soon starts a passionate affair with her, all the time being aware that he is committing a grave sin of adultery. After Louise unexpectedly returns, Scobie struggles to keep her ignorant of his love affair. But he is unable to renounce Helen, even in the confessional, where the priest instructs him to think it over and postpones absolution.
Still, to placate his wife, Scobie attends Mass with her and receives communion in his state of mortal sin—a sacrilege according to Catholic teaching. Soon after Yusef's servant delivers a "gift" to Scobie, which he refuses; however, Scobie's servant, Ali, witnesses this and a romantic embrace between Scobie and Helen. Scobie visits Yusef to confront him about the gift but more so to unburden his suspicion that Ali, whom he had trusted for all of their 15 years together, is disloyal. Yusef says he will take care of the matter, which within a few hours ends up in Ali being killed by local teenagers known as "wharf rats".
The reader is led to believe that Yusef arranged the killing; however, Scobie blames himself. Having gone this far down the path of ruin and seeing no way out, the proud Scobie decides to free everyone from himself—including God—and plots his death by faking a heart ailment and getting a prescription for sleeping pills. Knowing full well that suicide is the ultimate damnation according to Church doctrine, he proceeds in the end to commit suicide with the pills.
The act, however, yields ambiguous results. Helen continues her dreary existence. And Louise, who knew about the affair all along, is made to realize by her suitor, Wilson, that Scobie's death was a suicide. The concluding chapter consists of a short encounter between Louise and the confessional priest. Louise tries to rationalise Scobie's suicide in relation to his Catholicism, to which the priest advises that no one can know what's in a person's heart or about God's mercy. Graham Greene saw The Heart of the Matter as dealing with the issue of pity.
He illustrates this theme by describing Scobie, the main character of the book, as "a weak man with good intentions doomed by his big sense of pity". He further says in the preface, "I had meant the story of Scobie to enlarge a theme which I had touched on in The Ministry of Fear , the disastrous effect on human beings of pity as distinct from compassion. I had written in The Ministry of Fear : 'Pity is cruel. Pity destroys.
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Love isn't safe when pity's prowling around. In the introduction, he says that the piece can be seen as a kind of exploration of his experiences in Sierra Leone as an operative for MI6 during World War II, drawing from his experiences almost directly for the work such as the smuggled Portuguese letter found on a ship, which he did not allow to pass as in the book, but instead radioed up London asking "What was it all for?
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In the preface of the novel he notes that the story originally came from a desire on his part to write a detective story where the principal character, the villain, is ignorant of who the detective is. Whatever Greene's writings and personal feelings toward the story he hated it and idly suggests that an earlier, failed piece whose place was given to The Heart of the Matter may well have been a better work , the themes of failure are threaded strongly throughout.
Each character in the novel, be it Scobie or Wilson, fails in their ultimate goals by the end of the book. Scobie's ultimate sacrifice, suicide, fails to bring the expected happiness he imagines it will to his wife and despite the fact that he tries to conceal the secret of his infidelity with that ultimate sin, the reader discovers that his wife had known all along.
Similarly, Wilson, the man who is pursuing an adulterous affair with Scobie's wife, an affair she refuses to participate in, is foiled at the end of the novel when Scobie's wife refuses to give in to his advances even after Scobie's death. Other instances of failure , both subtler and more obvious, can be seen throughout the work, lending it a muted, dark feeling. The Heart of the Matter is not just about failure, but about the price we all pay for our individualism and the impossibility of truly understanding another person.
Each of the characters in the novel operates at tangential purposes which they often think are clear to others, or think are hidden from others, but are in fact not. As in many of Greene's earlier works this book deals with not just the tension of the individual and the state, but also the conflict of the individual and the church.
Scobie throughout the book constantly puts his fears in the voice and context of religion. After his wife returns he has a pathological fear of taking communion while suffering the stain of mortal sin and later agonises over the choice of suicide in terms of its theological damnation. The conflict is particularly interesting because it is not a conflict of faith, but rather a dispute set in legalistic terms: whether a violation of the laws of faith is justified by the personal sense of duty the character feels; which duty, personal or theological, is in the end primary; and what happens when those laws are broken.
This argument is not simply one of whether Scobie is damned to hell, a question Greene himself tired of, but rather of whether what he did was worth anything in the world of the present. Anthony Burgess wrote that Graham Greene's. From Wikipedia, the free encyclopedia. This article is about the novel.
For the film based on the novel, see The Heart of the Matter film. For other uses, see The Heart of the Matter disambiguation. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. This section needs additional citations for verification.
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